Madelief Geus, Res Nullius
For Absurd Beings on Skin, Madelief Geus is showing a new series of works based on her graduation work Res Nullius (2018).
A big amount of abandoned passport photographs ended up in Madelief‘s collection. This installation contains a new selection of five blown up portrait pictures lacking their skin. The skinlike dust physically scratched off from the framed photograph is presented under a glass dome and shows the viewer the human identity in another way.